Meditation on Violence

Meditation on Violence

Rating

No ratings yet

Release Date

4/24/1949

Runtime

12 mins

Overview

Chao-Li Chi shadow boxes indoors and practices with a sword outdoors. Theoretically, the film describes in a single continuous movement three degrees of traditional Chinese boxing, Wu-tang, Shao-lin, and Shao-lin with a sword. A long sequence of the ballet-like, sinuous Wu-tang becomes the more erratic Shao-lin; in the middle, there is an abrupt change to leaping sword movements, in the center of which, at the apogee of the leap, there is a long held freeze-frame.

Status

Released

Original Language

English

Budget

-

Revenue

-

Homepage

-
Backdrop Image

How It Feels

Read from this film's synopsis, keywords and credits, and used to work out what it sits beside.

A spare, hypnotic study of martial arts as flowing gesture and bodily discipline, where boxing and swordwork become a kind of moving meditation captured in crisp black-and-white.

Mood

Contemplative

Themes

Art and creation

Tone

Earnest

Pacing

Meditative

Look

Documentary-likeBlack and whiteLong takes

Structure

Linear

Reviews

No reviews yet

Be the first to review Meditation on Violence.

Recommendations

Ranked by what each one shares with this film, with the reason on every card.

Covers similar ground · A similar mood

A similar mood

A similar mood

A similar mood

A similar mood

A similar mood

A similar mood

Feels similar

A similar mood

Feels similar

A similar mood

Feels similar

A similar mood

Feels similar

A similar mood

A similar mood

Feels similar

A similar mood

A similar mood

Feels similar