Satantango

Satantango

Rating

5.0 (1)

Release Date

4/28/1994

Runtime

432 mins

Genres

Overview

Inhabitants of a small village in Hungary deal with the effects of the fall of Communism. The town's source of revenue, a factory, has closed, and the locals, who include a doctor and three couples, await a cash payment offered in the wake of the shuttering. Irimias, a villager thought to be dead, returns and, unbeknownst to the locals, is a police informant. In a scheme, he persuades the villagers to form a commune with him.

Status

Released

Original Language

Hungarian

Budget

$1,500,000

Revenue

-

Homepage

-
Backdrop Image

How It Feels

Read from this film's synopsis, keywords and credits, and used to work out what it sits beside.

A hypnotic seven-hour immersion in collective despair and spiritual decay, where a closed factory becomes a monument to collapsed dreams. Sátántangó unfolds with the patience of a folk requiem, demanding surrender to its rhythm of rain, mud, and the slow dissolution of hope.

Mood

BleakContemplativeMelancholicUnsettling

Themes

IsolationGriefCorruptionClass

Tone

Bleak

Pacing

Meditative

Look

Black and whiteLong takesFormalist

Structure

Nonlinear

Heads up

Addiction

Reviews

nicolascagegoons

lowkey amirias looks like kevin smith.

an endurance test, an achievement but also just a damm good movie.
bela tarr's style of film making is slow and nihilistic, i really liked damnation and family nest was fine but satantango is on another level of his film making abilities. i love long movies and by extension slow cinema. the film follows a hungarian village who all have problem rooted in the system but also within the collapse of the fall of communism.

the film is a perfect encapsulation of those slow but mournfull days. while i do think it can sometimes feel self indulgent with its film making, again, i don't specifically mind that.
its definitely a lot and i see a lot people take days or breaks but i encourage to NOT do that. sure, its a lot to take in but imo you get a lot more out of a film like this within in one sitting.
its a film thats like most of tarr's films, beautifully nihilistic and moodfully sad but its also interesting in its demonstration on the effects of democracy and its immidiately effects, democracy is fast and invades the lives of these people and within that, they don't have a lot of options in what to do.

(watch my feature film kodak: https://boxd.it/dNvKo1 )

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