The Haunting

The Haunting

Some houses are born bad.

Rating

3.0 (2)

Release Date

7/23/1999

Runtime

113 mins

Overview

Dr. David Marrow invites three distinct individuals to the eerie and isolated Hill House to be subjects for a sleep disorder study. The unfortunate guests discover that Marrow is far more interested in the sinister mansion itself — and they soon see the true nature of its horror.

Status

Released

Original Language

English

Budget

$80,000,000

Revenue

$177,300,000

Homepage

-
Backdrop Image

How It Feels

Read from this film's synopsis, keywords and credits, and used to work out what it sits beside.

A sleek, visually overwhelming haunted house film where mounting paranoia and body horror overwhelm genuine scares. The house itself becomes a malevolent character, but the relentless CGI spectacle often undercuts the terror.

Mood

UnsettlingClaustrophobicParanoidDread-soaked

Themes

ObsessionIsolationMortality

Tone

Earnest

Pacing

Propulsive

Look

High-contrastStylized genrePainterly

Structure

Single location

Heads up

Graphic violenceBody horrorChild endangerment

Reviews

brett

It has been years since I've seen <I>The Haunting</i>, but there's plenty to say about it.

For starters, the cast is incredible. Liam Neeson, Catherine Zeta-Jones, Owen WIlson, and Lili Taylor really pull it together during their time on-screen, forging a strong bond while the house comes to life, showing its true intentions.

Jan de Bont’s directing and eye for late-1990s special effects shine as the interior (of the large house) is beautiful and maze-like, taking viewers along on strolls or chase scenes through corridors long forgotten or never traveled. <A HREF="http://www.dreadcentral.com">Dread Central</A>'s <A HREF="https://letterboxd.com/chadiscollins/">Chad Collins</A> wrote a <A HREF="https://www.dreadcentral.com/editorials/458639/digital-ghosts-and-stunning-architecture-in-the-haunting/">fantastic article about the architecture</A>, stating that "the house is unequivocally the star". He's absolutely correct. Every piece of detail shown is nailed to perfection, including the statues and paintings, as is the cinematography that showcases it all.

I first saw the film in theaters (most likely due to a crush on Zeta-Jones, or possibly from Taylor's performance in <I>Ransom</I>), enjoyed it, and have not seen it since (until this review). The reveal, which I will not spoil, came very late into the film, and allowed us to see how and why Taylor's character was so important, although, and this being my only complaint, I believe she could've been more present instead of, in my view, mostly aloof and unconvincing.

Overall, beautiful structures, special effects, and one of the most beautiful sets I've seen on film (for a 90s film that didn't rely on cheap CGI) saved <I>The Haunting</i> from falling into my one-star review hell, so I suggest giving it a watch and allowing your eyes to experience de Bont’s adventure.

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