Black Swan

Black Swan

The pressure of perfection.

Rating

3.3 (2)

Release Date

12/3/2010

Runtime

108 mins

Overview

The story of a ballerina in a New York City ballet company whose life is completely consumed with dance. Nina lives with her retired ballerina mother who zealously supports her daughter's professional ambition. When the artistic director decides to replace the prima ballerina for the opening production of their new season, Nina is his first choice.

Status

Released

Original Language

English

Budget

$13,000,000

Revenue

$329,398,046

Homepage

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Backdrop Image

How It Feels

Read from this film's synopsis, keywords and credits, and used to work out what it sits beside.

A harrowing descent into psychological fragmentation told through dance, where the line between ambition and madness becomes increasingly blurred. Watching it feels like being pulled into someone's unraveling mind, visceral, claustrophobic, and deeply uncomfortable.

Mood

UnsettlingParanoidDread-soakedMelancholic

Themes

ObsessionIdentityFamily

Tone

Operatic

Pacing

Slow-burn

Look

High-contrastFormalistHandheld

Structure

Single location

Heads up

Body horrorAddiction

Reviews

nicolascagegoons

Natalie Portland gives a great performance and the themes of abuse and perfectionism in industries like this are very apparant.
Its a surrealist nightmarish film and while i don't really think oronofsky's kind is always good or all that special, it still tries its best to leave a lasting impact on the viewer.
Personally i just don't really care for anything else here, the film looks good but is shot in an uninteresting way.

Its impossible to not mention perfect blue while reviewing this film, they are very similaire but just different in their approach and imo the horror in black swan is not that interesting at all most of the time.
Its clear in what it wants to say but it doesn't do that in interesting ways, it just feels like teens first surrealist film.

stormaciousd

I hadn't seen this since it came out, and I hadn't thought about it since then either. For all the acclaim, it doesn't seem to have made a lasting impression.

It is immediately clear that Natalie Portman strenuously prepared for this role, both the dancing and her actual frame. It is a bit jarring when she's already so petite. It sets the tone that Nina is pushing herself to the limit physically while also paying a mental toll. It's a stark contrast with Mila Kunis's easy, breezy, effortlessly cool Lily.

It's a drama, it's a thriller, and sometimes I blocked my view with my hand in the moments that it felt like horror. We join Nina on her spiral, her descent into madness. It's an impressive, high quality journey that everyone should go on once. For me, once is probably enough.

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