i've read some of the top reviews and my main takeaway is that the film is suppose to be very catholic. wether that is true is not my decision to make considering im mainly an atheist.
the film presents a virgin giving birth and im probably missing a lot of things because of my non religious background as im more interested in marie as a character and the implication of her giving birth in other ways. are woman doomed to give birth and maternal life?
birth can be beautifull but the film also makes me feel a sort of unease and what woman actually mean as people that can reproduce. obviously misyogyny is in play but not always and the reality that woman ARE seen as their reproductive organs and the lack their off being seen as something else. but what are woman and also men? are we different? obviously i don't think so but the material structure of life and to extension birth is interesting to dissect and ask ourselves about. its religious text is a mystery to me, like i said but that doesn't put me off necesarrily, in many ways, old and new cinema, religion is there and have created for some of the best works cinema as a concept has given and largely i think hail mary should be in that conversation because it not only works inside but also outside of its supposed religious text.godard you son of a bitch, you did it again. also gives respect to anything named hail mary unlike project hail mary.
(watch my second feature film, kodak: https://boxd.it/dNvKo1 )

Hail Mary
Rating
4.5 (1)
Release Date
1/23/1985Runtime
72 minsGenres
Overview
A college student gets pregnant without having intercourse, affecting people close and unrelated to her in different ways.
Status
ReleasedOriginal Language
FrenchBudget
-Revenue
-Homepage
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How It Feels
Read from this film's synopsis, keywords and credits, and used to work out what it sits beside.
A provocative, deliberately strange meditation on faith and the body that reframes the Virgin Mary story in mundane 1980s France, leaving viewers unsettled but thinking. Godard's playful irreverence clashes with genuine existential unease.
Mood
ContemplativeUnsettlingAbsurdBittersweet
Themes
FaithIdentityComing apartIsolation
Tone
Ironic
Pacing
Meditative
Look
NaturalisticHandheldFormalist
Structure
Single location
Heads up
Sexual content

Myriem Roussel
Marie

Thierry Rode
Joseph
Philippe Lacoste
Archangel Gabriel
Manon Andersen
Little Girl
Malachi Jara Kohan
Jésus

Juliette Binoche
Juliette

Georges Staquet
(uncredited)

Anne Gautier
Eva (uncredited)

Johan Leysen
Professor (uncredited)
Gisele Musy
Mom in the Waiting Room (uncredited)
Serge Musy
Little Boy in the Waiting Room (uncredited)
Reviews
Recommendations
Ranked by what each one shares with this film, with the reason on every card.





















