a film about lust and the societal and economical collapse that are rooted in war.
we never see any war but thats a good thing as the film uses its tall grass and water. the need for any companionship also grows when isolated, lust overtakes someone more and more. crops die, there is barely any food which needs huge sacrifices to get.
these people are in need for almost everything but its not available, the onibaba is a metaphorical beast thats there, it punishes the people, like the war as the mask was first seen on a samurai.(watch my feature film https://boxd.it/cQ1mBp )

Onibaba
The most daring film import ever...From Japan!
Rating
Release Date
11/21/1964Runtime
105 minsGenres
Overview
While her son, Kichi, is away at war, a woman and her daughter-in-law survive by killing samurai who stray into their swamp, then selling whatever valuables they find. Both are devastated when they learn that Kichi has died, but his wife soon begins an affair with a neighbor who survived the war, Hachi. The mother disapproves and, when she can't steal Hachi for herself, tries to scare her daughter-in-law with a mysterious mask from a dead samurai.
Status
ReleasedOriginal Language
JapaneseBudget
-Revenue
-Homepage
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How It Feels
Read from this film's synopsis, keywords and credits, and used to work out what it sits beside.
A visceral descent into jealousy and desperation set in a haunted swamp, where a mother's possessiveness becomes as monstrous as the mask she wields. The film's stark black-and-white beauty masks something deeply disturbing beneath.
Mood
Themes
Tone
Pacing
Look
Structure
Heads up

Nobuko Otowa
Woman

Jitsuko Yoshimura
Young Woman

Kei Satō
Hachi

Jūkichi Uno
The Samurai

Taiji Tonoyama
Ushi
Someshō Matsumoto
Runaway Warrior
Kentarô Kaji
Runaway Warrior

Fudeko Tanaka
Old Woman
Hiroyoshi Yamaguchi
Horse Riding Samurai

Hiroshi Tanaka
Horse Riding Samurai

Kanzō Uni
Horse Riding Samurai
Hosui Araya
Ushi's Follower
Reviews
Recommendations
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