I wanted to be a Coyote when I grew up. This soundtrack is killer, if you pretend Kid Rock isn't on it.
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4,613 reviews
The Heat is too long and has too much going on, but there are some really funny moments. It would benefit from a solid edit, chopping out a bunch of noise.
I *like* The Devil Wears Prada, but I've never *loved* it the way I feel I should as a millennial woman. I'm still going to be at the theater for the sequel though, believe that.
Switching Goals feels very quintessential Olsen twins. Iconic twins-switching-places plot. Classic tomboy Mary Kate and girly Ashley character traits. Cheesy but not BAD cheesy. This is what I want in a full-length Olsen twins flick, for sure.
Dinner in America kind of reminded me of Welcome to the Dollhouse, except I am 20 years older now and I didn't like it as much as I like Welcome to the Dollhouse.
This feels like it should have come out in 1999 instead of 2009.
This is maybe the worst Tom Cruise and Mark Ruffalo have ever looked in movies. Why did they do that to them?
I didn't like Hook as a child, but everyone else seemed to, so I wanted to revisit it. Two hours and twenty minutes just seems like a lot longer than it needs to be, and not getting to Never Never Land until ~40 minutes in made me antsy. Once it moved to Never Never Land it picked up for me, but it's still not really for me.
Bio-Dome was the first PG-13 movie that I saw in the theaters, so I guess I have a bit of a soft spot for it. It has not aged very well, not that anyone would have expected it to, and not that it was considered good even before it aged.
As much as I enjoyed <I>Nobody</i>, this film didn't do it for me (and I <b>LOVE</b> the director, Timo Tjahjanto, whose <I>V/H/S</i> segments are always a blast). The storyline was forced, placing Odenkirk's "Hutch" in a random area that just so happens to be a stomping ground for some serious criminal activities, and the villains of the film were too animated (like the ones you read in a comic book), resulting in Sharon Stone becoming a sort of comedic side piece to Colin Hanks' sheriff.
The only benefit to the film was watching it with <A HREF="http://www.letterboxd.com/lgoled">LG OLED's Perfect Color</A>. Otherwise, let's make <I>Nobody</i> into a trilogy just to wrap it up and move on.
I loved Michael Cera in this, and it was aesthetically pleasing like all Wes Anderson films. I wish it was more ensemble-driven though.
Fuckin' awesome! Full of some laughs, plenty of action, and a decent storyline. This will be my first 4-star rating. Let's hope <I>Nobody 2</i> packs the same punch!
