Crash

Crash

Moving at the speed of life, we are bound to collide with each other.

Rating

1.3 (2)

Release Date

5/6/2005

Runtime

112 mins

Genres

Overview

In post-Sept. 11 Los Angeles, tensions erupt when the lives of a Brentwood housewife, her district attorney husband, a Persian shopkeeper, two cops, a pair of carjackers and a Korean couple converge during a 36-hour period.

Status

Released

Original Language

English

Budget

$6,500,000

Revenue

$98,400,000

Homepage

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How It Feels

Read from this film's synopsis, keywords and credits, and used to work out what it sits beside.

A forceful ensemble drama that braids together the lives of Angelenos across racial and class lines, tracing how snap judgments and systemic biases collide in volatile ways. It's earnest and deliberately provocative, designed to make you uncomfortable about your own assumptions.

Mood

TenseAngryUnsettling

Themes

RaceClassRedemption

Tone

Earnest

Pacing

Brisk

Look

NaturalisticHigh-contrast

Structure

Ensemble

Heads up

Graphic violenceRacial violence

Reviews

nicolascagegoons

What bugs me the most is how white centric it is despite BEING about racism and for that racism to be so obvious, cartoonish. This film was made like two decades ago so its expected for it to be dated.
It fails to see what racism actually is, it thinks its JUST people spouting slurs or racist remarks but its also in everyday normal conversations, it creeps into corners a lot of people don't realize. Crash has its sights on some types of racism but its always so painfully dry and it doesn't help how unfocused it all felt, having multiple stories happening at the same is neat but the screenplay is flimsy and can barely hold the weight of that concept.

Some of its night scenes do like nice but the day scenes look extremely bland and forgettable. Everyone involved feels kinda tone deaf.
Smaltzy in the worst ways.

(Watch my feature film <a href="https://boxd.it/dNvKo1">kodak</a> )

stormaciousd

It's just a bit much. I can get down with a Love Actually everyone-is-intertwined plot, but it's pretty wild how almost every character (and there are a lot of characters) defaults to immediate racism in every interaction.

I liked every scene with Michael Peña though.

* Directors Cut

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